Ballet dance
Ballet dance
- Origins
in Renaissance Italy: Ballet was originally
taught to Italian noblemen and women at extravagant, celebratory events in
the fifteenth century. After Italian noblewoman Catherine de Medici
married King Henry II of France, she funded ballet for the French Court,
eventually establishing a ballet program.
- Seventeenth-century
France: King Louis XIV founded the Academe Royale de Dance (Royal Academy
of Dance) ballet school in 1661, which helped popularize the art form. In
1672, Louis XIV appointed Jean-Baptiste Lully as the director of the Paris
Opera, leading to the establishment of the Paris Opera Ballet, where
French choreographer Pierre Beauchamp became ballet master. By 1681, the
first ballerinas took the stage.
- Nineteenth-century
in Europe: The mid-nineteenth century saw a decline in the popularity of
ballet in France, but it would soon spread to other areas of Europe like
Russia and Denmark. As ballet continued to grow, its style crystalized
into a more romantic dance, emphasizing the grace of the ballerina with
soft and fluid movements. Famous narrative ballets like The Nutcracker and Swan Lake premiered
at Russian theaters, showing ballerinas in tulle skirts known as tutus who
would dance end pointe, in pointe shoes on the points of their toes.
- Twentieth-century: Ballet
became a mainstream dance form by the twentieth century. Dance companies
like the Royal Ballet in England and the American Ballet Theatre in New
York opened at this time, which helped spread spectatorship of the art
form and made it more accessible to the masses. Numerous schools and
companies training young people from all backgrounds into some of the
world’s most accomplished professional dancers.
There are four different ballet dance
styles that have shaped the trajectory and evolution of the art form:
1. Romantic
ballet: Starting in the nineteenth century, Romantic ballet
was heavily influenced by the Romantic era and is where some of the many
recognizable aspects of ballet emerged, like pointe work and tutus. Romantic
ballet emphasized emotion, lyricism, and drama in its narratives, and led to a
rise in lead female dancers whereas previously, male dancers had dominated the
scene.
2. Classical
ballet: Classical ballet is a traditional form of ballet,
usually accompanied by a full orchestra and consisting of a story-driven narrative
that is often anchored by a female ballerina. The movements of classical ballet
often emphasize the weightlessness and extension lines of the ballerina,
focusing on fluidity and outward leg rotation. Sets are constructed to
complement the show’s narrative, and the dancers wear intricate costumes.
3. Contemporary
ballet: This form of contemporary dance incorporates certain
classical ballet elements, including elements of acting and some pointe
techniques, but it is considered less strict in its execution. Contemporary
ballet dance techniques allow for a wider range of upper body movement than
classical ballet, and can also be performed barefoot.
4. Neoclassical
ballet: Emerging in the 1920s, neoclassical ballet is less
structured and more abstract than the other forms of ballet. Neoclassical
ballet was formed as a response to the prevalent, dramatic elements of romantic
ballet, and does not make use of traditional ballet elements like costumes,
sets, or involved narratives.

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